It was a great performance!
Thanks to a generous gift in support of live music from the RiverFront Investment Group, JAMinc will co-present the August 25th edition of In Your Ear’s Shockoe Sessions. Our guest artists are two RVA favorites, blues harp master Andrew Alli and his reso-guitar duo partner Josh Small.
Check out a clip from Andrew and Josh.
Josh has played a prominent role over the years in SPARC’s Live Art program and Andrew is making a name for himself in the blues world, with recent nominations for the Blues Blast Music Awards. Andrew’s debut release, ‘Hard Workin’ Man’, has been nominated for two BBM Awards: ‘New Artist Debut Recording’ and the ‘Sean Costello Rising Star Award.’
We’re grateful to Rod Smyth and his colleagues at RiverFront for their commitment to keeping live music happening in our community, even while the current reality precludes a live audience. Carlos Chafin and the gang at IYE have developed an engaging concert presentation live streaming every Tuesday night on their YouTube channel starting at 7:30. Multi-camera video and the high quality audio to which we’ve become accustomed, make for a memorable virtual experience. We hope you’ll tune in and share this with friends who might enjoy the show.
This performance will stream on In Your Ear Studio’s YouTube channel beginning at 7:30pm. This is a non-ticketed show that depends on the generosity of the viewing audience. Tip Jars will be available via PayPal and Venmo.
We are excited to announce that JAMinc’s monthly In Your Ear concert series, on hold since March due to the pandemic, will resume on Thursday, September 24th in a live stream format. The first artist will be jazz cellist/vocalist Shana Tucker and her pianist, who had been scheduled to perform in March. Read more »
We’ll also be announcing soon a very special radio program to air this fall on VPM Music featuring the rich archive of “Kitchen” recordings from Page Wilson’s Out O’ The Blue Radio Revue. Tentative start date is Saturday, October 17th so put it on your calendars and stay tuned.
All of us at JAMinc sincerely hope you and your kin and kindred are remaining healthy and hopeful as we eagerly await the time when we can all gather again in closer proximity to share the music we love in person.
Musicians and presenters continue to suffer devastating loss of work and income during this shut down.
Please visit saveourstages.com to encourage our law makers to support the key music venues we stand to lose if we don’t turn this thing around.
Send your thoughts and feedback to email@example.com
All of us at JAMinc hope these last days of spring find you healthy, well and full of hope for the future. It’s been a rough and rocky season for sure but we hope you share our confidence that a bright light lies just ahead at the end of the tunnel. And it’s not an oncoming train. The swirl of events has driven a re-evaluation of so many aspects of our lives and a renewed appreciation for so many things that we may have taken for granted. Like gathering in Studio A for an intimate night of well-played music.
Since our collective health precludes that scenario for the time being, we’re forging ahead with plans for a high quality live stream for our IYE series this fall.
Carlos and the gang at the studio have already broken ground with their Shockoe Sessions every Tuesday night at 7:30. The first one ran last week and can be seen on YouTube in its entirety. We’d ask you to take a look and enjoy the calming artistry of Michael Lille who some of you might remember as a Robbin Thompson compadre and an early guest at our In Your Ear series back in 2004. This will give you an idea of at least the audio and video quality of the show but our concerts will be presented with our own look and structure. On future Tuesdays, they’ll be welcoming Coby Batty & the Rhythmasters, Kyle Davis and Elizabeth Wise (booked for our December show with a full band of outstanding locals) among others.
We’d welcome any thoughts you might have about the Shockoe Sessions…what you like about what you see and things you might imagine done differently for our shows. We plan to make them free to watch but will be asking for generous tipping via PayPal or Venmo. JAMinc will be offering our artists a fair performance fee in lieu of charging “admission” and they’ll also be recording a short 10 to 15 minute video expressly for viewing in our schools, to fill that important part of our mission. Send your thoughts and feedback to firstname.lastname@example.org
And don’t forget our last two In Your Ear encore airings on VPM Music. Nellie McKay on June 20th and the Fireside Collective on June 27th. Both air at 5pm just ahead of Live From Here with Chris Thile.
Here’s to an improving landscape on all fronts during the coming summer … be safe and support your artistic community however you can.
Like countless presenters of music everywhere, JAMinc has had to cancel its spring concerts at In Your Ear Studios and it’s likely our fall season will fall victim to the pandemic as well. I know you share our disappointment as we long for the days of savoring live music and pot-luck delicacies in that intimate Studio A space. Until we’re able to physically meet again, we’re planning our move to a high-end live stream of concerts with multiple HD cameras and the audio quality that you’ve come to expect from the In Your Ear crew. We hope to be making announcements about how this will all work by sometime this summer.
In the meantime, we’re excited to announce that our radio partners at VPM Music will be re-airing the seven most-recent IYE programs from last year beginning this Saturday, May 16, 2020 at 5 pm. This is a new time slot for us, making IYE the “warm up act” for Chris Thile’s “Live From Here” show. Below is a list of the featured artists you’ll hear starting this weekend.
These shows will air on 107.3 FM, 93.1 FM and via live stream.
We’re grateful to our music-minded public radio station for making this prime airtime available to us, and we sincerely thank our underwriters for their continued loyal support:
And of course VPM Music is now holding its spring fundraiser and they need us now more than ever.
We’d appreciate your putting these dates on your calendars and sharing with anyone whom you think might like to tune in.
Like never before, we’re dependent on the healing power of music to see us through this unimaginable challenge. As always, you’re invited to keep up with us and our evolving reality here on our website: jaminc.org.
Stay safe and listen up!
All of us at JAMinc share deeply in the concern over the spread of the Coronavirus and its unprecedented impact on life as we know it. Especially on the touring musicians who grace our stages and enrich our lives in such a profound way. The prospect of one’s income being abruptly cut off for weeks or months during what normally is the busiest time of year is heartbreaking. We’ve already had to cancel our March, April and May In Your Ear concerts, although we hope to reschedule these as possible.
We encourage you, as your are able, to support your favorite artists in a tangible, financial way, by buying music and/or merch on their respective websites, or by supporting one of the many collectives that are raising funds for those who make their living making music. Or you could visit our website and click on the “Donate” button and designate a gift to support JAMinc’s ongoing school outreach program.
Since our In Your Ear studio concert series is having to go dark for a while, we urge you to visit our archive at VPM Music where you can stream all 68 of our hour-long public radio shows featuring artists like the Kruger Brothers, Howard Levy, Alison Brown, Justin Kauflin, Wayne Henderson, Mipso, Miramar, Stray Birds, Birds of Chicago, Jonathan Byrd, Eric Stanley, Steve Bassett and the late Robbin Thompson.
JAMinc’s founder Wally Thulin ran video on a wide range of our past Studio A performers and starting today on our Facebook page, we’ll be posting links to some memorable tracks that we hope might help fill the silence until we can work through this difficult time and get back to live music in our intimate space. Be sure to “Like” our page if you’ve not already.
Until then, keep your distance, take good care of each other and keep the music playing.
Tim Timberlake, President
In my memory, I don’t recall ever having to cancel one of our JAMinc/In Your Ear concerts in our 16-year-run. This would have been our 112th.
But these are uncharted waters we’re sailing and in the best interests of our audience and our artists, our spring shows are cancelled. We hope to reschedule these concerts as possible. Any seats purchased will be refunded via PayPal.
This COVID-19 threat is putting such a strain on life as we know it, mainly because the only weapon we apparently have to fight its spread is to be apart.
So here’s to making the most of your social distancing … listen to a lot of good music and pay for it. Buy or download some new CDs knowing that the musicians we love will be among the most impacted.
Just imagine if your main source of income was just shut off for a month or two. Maybe the silver lining here is that we’ll not take so much of our daily lives for granted and our time in the presence of family and good friends will mean more.
Take good care of each other …
Tim Timberlake, President
Dovetailing perfectly with JAMinc’s mission to bring world class music to our schools, Crocodile River Music has taken their brand of African roots music to more than 260,000 students. They added to that number while here in Richmond by playing to a handful of local schools. In total they brought music to almost 500 local students.
The band first visited St. Andrew’s School on the afternoon before their evening show at In Your Ear Studios. The 150 or so assembled students clapped along and participated in a rhythm exercise following drum sounds led by the band. Several students said it was the best band JAMinc has brought to their school.
The day after their IYE show, the band performed for two more schools. In the morning they visited Sabot at Stony Point where there were about 200 students plus 20 staff members – essentially the entire school. The open performance space there encourages the students to be up close and personal with the musicians and this set was no exception.
That afternoon the band played for another 100 or so students at Orchard House School in the Fan. Orchard House School is a middle school for girls in grades five through eight. The high achieving young women warmly embraced the music and message of the band to stay engaged and keep music and art in their lives.
We are excited to announce that JAMinc’s monthly In Your Ear concert series, on hold since February due to the pandemic, will resume on Thursday, September 24, 2020 in a live stream format. The first artist will be jazz cellist/vocalist Shana Tucker and her pianist Christian Tamburr, who had been scheduled to be with us in March.
Shana and Christian will join us in an audience-free Studio A as we observe proper caution and distancing and present a multi-camera video production with the peerless audio quality you’ve come to expect from In Your Ear. We encourage you to listen through a proper sound system or at least through headphones/earbuds to maximize the experience.
Since we will not be charging an “admission fee” to view these shows, JAMinc will be paying the artists a significant guarantee, hoping that our virtual audience will be generous with donations to support our efforts and will help us spread the word by sharing the watch link on their various social media. The numbers matter.
All our visiting artists this fall will be recording a 15-minute video aimed at our school outreach audience, always an important part of our JAMinc mission, with in-person school visits not possible for now.
Please put September 24th at 7:30 pm on your calendars and join us for this “next best thing” musical event at In Your Ear.
With a deep respect for lyrical storytelling, cellist/singer-songwriter SHANA TUCKER delivers a unique voice through her self-described genre of ChamberSoul™. Shana’s melodies weave strong hints of jazz, classical, soulful folk, acoustic pop and a touch of R&B into a distinctive rhythmic tapestry.
Touted by Jazz Times Magazine as “a talent whose imprint and vitality has already been quite visible…” Shana’s style and sound as been described as a blend of Dianne Reeves, Joni Mitchell, and Tracy Chapman, with an efficient complexity that is reminiscent of Bill Withers. ChamberSoul™ best describes what the listener should expect when experiencing Shana’s music. “I’m intrinsically drawn to “real” instruments, with resonance, tone and depth that can sound without amplification. Whenever and however possible, I always try to set a tone of acoustic intimacy with my colleagues on stage, and also with the audience, so that the music, performers and audience feel close and tangible, no matter the size the venue.” The acoustic perfection of In Your Ear’s Studio A with just 80 seats, will provide just such a vibe.
Growing up on Long Island, NY as a beneficiary of public school arts education, Shana’s classical cello and singing talents awarded her a scholarship to Howard University in Washington, DC, where she was first introduced to jazz and other essential musical resources, on campus and around the city. While at Howard, Shana initiated her improvisation chops and honed her songwriting skills, but decided to relocate to NYC to study with master cellist Marion Feldman and complete her undergraduate studies in performance at CUNY-Brooklyn College Conservatory of Music.
A front-line advocate for arts education, Shana is a newly-designated A+ (Arts Integration) Schools Apprentice Fellow, and has been a teaching artist with Wolf Trap Institute for Early Learning Through the Arts (NC and NV) since 2015. She has also been a teaching artist with United Arts Council of Raleigh/Wake County NC and The Smith Center for Performing Arts – Las Vegas. Shana incorporates artist-in-residences, workshops and community outreach opportunities wherever in the world her performances take her.
Read more about Shana Tucker »
Eric and Peter have recorded and toured together for a decade now, and their last two duo albums were recorded in Thomm’s studio, with Thomm in the role as recording engineer, producer, guitarist, and harmony singer. Whenever they could, they took Thomm on the road, a sideman extraordinaire whose sublime flat picking guitar style elevates anything Thomm weaves it into. But Eric and Peter knew that Thomm was also a world class songwriter, and they kept twisting his arm to take front-and-center during their shows and sing a few of his own compositions. It was only a matter of time before the duo-into-trio transformation became official with the release of Profiles in Courage, Frailty, and Discomfort, fourteen songs by all three members, tackling such weighty topics as moonwalks, steamboat captaining, dollar-slots, Johnny Cash’s gravesite, Jerry Lee Lewis’s birthplace, Willie Nelson’s notions of eternity, the downside of Parkersburg, West Virginia, and a Tennessee town flooded for the sake of electricity.
Eric, Peter, and Thomm each has something distinct and slightly skewed to say about the world, and when they bring their singular perspectives to the trio table, it’s a perfect example of a whole being much greater than the sum of its parts. And what parts they are!
Eric began his musical career in Washington D.C. where he was a journalist with The Washington Post. There, he launched his acclaimed roots-rock band Last Train Home in the late ‘90s, touring with the group extensively across the U.S. and Europe, releasing eight albums and one concert DVD. The band moved to Nashville in 2004, where Eric met Peter Cooper, an award-winning journalist who covered music for The Tennessean newspaper.
Eric and Peter were nominated for a Grammy for producing I Love: Tom T. Hall’s Songs of Fox Hollow, their 2011 release on Red Beet Records that featured them, along with Patty Griffin, Bobby Bare, Jim Lauderdale, Duane Eddy, and Tom T. Hall himself, all reprising tunes from Hall’s classic kids record of 1974, Songs of Fox Hollow.
In the past ten years, Peter Cooper has been absurdly prolific, releasing four solo albums on Eric’s Red Beet Records label, four duo albums with Eric, one trio album with Thomm and Eric, all while producing two albums by Fayssoux Starling McLean, one by Jason Ringenberg, and that Grammy-nominated children’s album, I Love: Tom T. Hall’s Songs of Fox Hollow. He was the longtime music writer for Nashville’s Tennessean newspaper, and is currently a writer and producer for the Country Music Hall of Fame and Museum in Nashville.
Thomm Jutz has a brand new album out in early 2020, To Live in Two Worlds, Vol. 1, on the respected bluegrass label Mountain Home (and yes, there’s already a volume 2, coming out in September, 2020). Lots of people have made acclaimed bluegrass albums, but none of them was born in the Black Forest of Germany, none except Thomm.
He made his way to Nashville in 2003, and became an indispensable sideman to acclaimed artists Nanci Griffith, Mary Gauthier, and Maura O’Connell. After building a recording studio he has become one of the most sought after producers of acoustic music in Music City, with production credits on albums by Nanci Griffith, Jason Ringenberg, Sid Griffin, Mac Wiseman, and many more.
Thomm is also one of the most successful songwriters in the bluegrass world, having charted five #1 bluegrass chart hits over the past year (as recorded by Shawn Camp, Irene Kelly, and Chris Jones & the Night Drivers), and has had ten more compositions in the bluegrass radio top twenty.
Together, Eric, Peter, and Thomm weave stories, songs, harmonies, and guitar playing into something very special. The lyrics are as thoughtful as those of their heroes, a list that includes John Prine, John Hartford, Kris Kristofferson, Tom T. Hall, Dolly Parton, Paul Simon, the Carter Family, and Townes Van Zandt. Add harmonies that bring to mind the Seldom Scene, Emmylou Harris, and the Everly Brothers, and sumptuous guitar arrangements, and you have a truly memorable evening of music.
They’ve once again combined their forces to create a singular new record, Riverland, fourteen interconnected tales of Mississippi, both the river and the state. Songs about its people, its water, its history, its past, its magic, its madness.
Riverland finds the boys once again working with frequent collaborators Mark Fain (bass) and Lynn Williams (drums), and features significant contributions from the Steeldrivers’ Tammy Rogers (fiddle), banjo players Justin Moses and Terry Baucom, and legendary mandolin player Mike Compton.